Saturday, July 27, 2019
Does Friedrich Nietzche say the Buffalo Story is true or not ( Based Essay
Does Friedrich Nietzche say the Buffalo Story is true or not ( Based on his idea of truth ) - Essay Example Nietzscheââ¬â¢s precepts can in fact be brought in directly to analyze the issues raised by Oââ¬â¢Brien. The concept of truth remains an ambiguous one, even after centuries of introspective inspection on it from many philosophers. Friedrich Nietzsche, who scorned the abundance of European theories related to the nature of truth and reality that have come especially from England and Germany, tries to bring in some unique reflections on the topic in his essay. Defying the necessity to define truth, he rather deconstructs the concept of truth, emphasizing the deceptive, self-conceptual existence of humans and their understanding of the world. Oââ¬â¢Brienââ¬â¢s attempt is to delimit his analysis of truth to war stories. He observes that ââ¬Å"[I]n any war story, but especially a true one, itââ¬â¢s difficult to separate what happened from what seemed to happen. What seems to happen becomes its own happening and has to be told that wayâ⬠. Recounting the death of a young soldier named Curt Lemon and the responses to it by a few other soldiers, including his best friend Bob Kile y aka Rat, and comrades Mitchell Sanders and the narrator himself. What links Oââ¬â¢Brienââ¬â¢s observations on the possible narrations of a true war story with Nietzscheââ¬â¢s views is the skepticism that prevails. Nietzsche develops in his essay the idea of human existence and survival in relation to the concept of the deceptive nature of truth, or reality, in the time-space configuration they inhabit. It begins with a putative reference to the diminutive, momentary, insignificant nature of the place human beings inhabit in this universe, which they ironically perceive to be a gigantic, everlasting, all-consuming one. The nature of truth, when one attempts to perceive it in a hypothetical stance that transcends the here and now is a relative one, always constructed in a subjective conceptual framework. The desperate attempts of those who try to narrate a true war story have to fight with
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